Based on coauthor Mohamed's childhood after fleeing Somalia on foot with his younger brother, this affecting graphic novel follows the brothers' life in a Kenyan refugee camp. Though loving foster mother Fatuma cares for the boys, Mohamed watches out for his largely nonverbal younger brother, Hassan, who experiences occasional seizures, and is fearful of leaving him even to attend school. Mohamed longs to find their biological mother, and—like nearly everyone in the vast camp—waits for a life-changing, seemingly arbitrary UN interview that will determine whether the boys will be resettled, perhaps in the U.S. or Canada. Jamieson and Mohamed together craft a cohesive, winding story that balances daily life and boredom, past traumas, and unforeseen outcomes alongside camp denizens' ingenuity and community. Expressive, memorable characters by Jamieson (Roller Girl) work and play against backdrops of round-topped UN tents, while colorist Iman Geddy's deep purple skies drive home the title. The result of this team effort is a personal and poignant entry point for young readers trying to understand an unfair world. Back matter includes photographs of the brothers and authors' notes. Ages 9–12. (Apr.)

Gr 4–8—Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed's life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where "it felt like all you ever did was wait," is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families' painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson's usual fare, this title still features the expressive, gentle style of Roller Girl or All's Faire in Middle School—the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author's notes go into greater detail about Mohamed's life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. VERDICT With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to perverse.—Darla Salva Cruz, Suffolk Cooperative Library System, Bellport, NY